Venue: House of Blues Chicago (5/6) I have personal bias toward the House of Blues. It was the first venue I ever patroned to of my own volition in Chicago. For a while it was the only one I went to, as I was scared of getting lost. It is my home venue. It is big enough to house a few thousand, but small enough that there isn’t a truly bad vantage point, save for behind one of the massive pillars that support the ornately painted celing. It’s a very clean venue with friendly staff and wonderful security. I often refer to their security as ninjas, nearly invisible unless there is a problem in which case suddenly you find yourself in close proximity with five burly gentlemen in bright yellow shirts.
I also find it a gorgeous venue peppered with unique art and statuary lining two layers of balcony seating along with the standing room floor. The bathrooms are also some of the nicest I’ve seen in any venue. Which doesn’t mean anything about the other venues, but adds a certain degree of class to the House of Blues.
The Show:
Art of Dying: (4/6) This is the second time I’ve been pleasantly surprised by Art Of Dying. Their classic rock sound combined with upbeat, motivational lyrics make for a show that makes the listener feel like they are capable of anything. Vocalist Jonny Hetherington worked the crowd surprisingly well and kept lively interaction going throughout the show. Greg Bradley’s style is precise and distinct without being over rehearsed. In fact, the overall sound of the band was very clear and had a great deal of personality. There was no mixing up Art of Dying’s sound with any other. Eighties aesthetic meshes with a more modern sensibility nicely in this little four man band. I found art of dying to be a great opener for Shinedown, as their sound complemented Shinedown’s well
Shinedown (5/6):
Shinedown continually brings a powerhouse of emotional content ranging from the highflying “Amaryllis” to the cutthroat “Devour” and the quiet pain in “45.” Vocalist and lyricist Brent Smith gives all of himself to his music and it shows. His energy matches his graciousness in its boundlessness. He is wonderful to both his fans and his band mates; you can really see how much Smith understands that the band is a unit, not simply a vehicle for the front man. It was especially fun to see his dynamic with guitarist Zach Myers. It is apparent that these two have been working together for a very long time and share a strong chemistry that is a rare treat in the rock world.
Myers is a showman in his own right. With his clean-cut hair and pretty-boy face, Myer’s bold power scream vocals are quite a surprise. His guitar work is powerful and occasionally sassy. Myers also has an innate understanding of how to place himself on stage and, as mentioned above, has a wonderful dynamic with his band mates.
On the whole, Shinedown continues to bring a fierce, engaging show and a professionalism that a lot of artists simply lack. I cannot wait to see them again.
