Venue/Event (Summerfest (warning: flash heavy), Milwaukee, WI): Why I’m Spoiled for Life on Music Festivals (4/5)
I’ve been going to Summerfest most years since since1998.
Summerfest is, easily the best music festival I’ve been to. It claims to be the world’s largest music festival, and at least in the midwest, I’ve not found anything that even comes close in capacity, length, or quality. Eleven stages, eleven nights, at the peak of the Midwestern summer it runs from noon to midnight. If you’ve never been and you can get to Milwaukee next June, go. It is the best music in the Midwest.
The best part, unless you’re at the ‘main stage’ at the Marcus Amphitheater, it’s 15$ a day for evenings or 8$ for afternoons. Period.
The main stage acts are killer. Such acts this year included, Justin Beiber, Rush, and Tom Petty. However, in the evening you will get things that are just as good on the free stages. In addition to what I saw this year, some highlights were: The Offspring, Papa Roach, Joan Jett, and Sheryl Crow, just to name a few. There is no assigned seating in the free stages either so if you’re willing to camp you can get as close as you want to these bands..
There’s also the food. You can get the standard midwestern festival food like roasted corn, funnel cake, and cotton candy, but you can also head to the ethnic food court for Thai, Mexican, and German. For festival food its not badly priced.
There’s also extensive shopping. Local artists and artisans come to Summerfest to sell their work and you can find shops for everything from clothes to incense to palm readings.
There are also booths for video game systems and a large section for children including several inflatable castles, face painting and more.
In case you overheat, they have an air-conditioned area as well as the first aid tent and information booths.
And on 3 July they have fireworks
Most years I go more but this year my wallet couldn’t take it quite as much so I only went two days.
So unbelievably worth it
Day one (6/28): Warm up on a Cold Day.
Crowd: (3/5) typical, tired festival crowd. Not a lot of energy but still willing to give what they had left for the band.
Saliva: Click, Click Superstar, pt. 2 (2/5)
I’d been curious about Saliva as the few songs I did have of theirs were solid and I enjoyed them quite a bit.
Little did I know that I would be hearing one of them over and over throughout the show.
I stood up to see the act, hopped up on my bench, and prepared for a long anticipated chance to cut loose and head bang.
Saliva came out and tried to pump the crowd, I rocked a little but as they played something just wasn’t working. Then they played their big number “Click, Click, Boom!” The crowd woke up and we rocked.
Then as the next few numbers played and the got to “Superstar, II” that’s when it hit me. Every, single song with the exception of their one other hit “Always” had the same cord progression as “Click, Click, Boom!” I thought I had to be mistaken, so I tried a little experiment and softly sang “Click, Click, Boom!” under my breath. Sure enough, same song.
Redundancy is lethal to any good band, but sometimes the live show can still be good if the energy is strong. Not so once again. It was as though front man Joesy Scott was miming a concert. He had the approximate energy of a piece of lint. He acted as though he had energy but it fell flat
While it was lovely to hear “Always” and Click Click boom, the show it self was a bit of a waste.
Okay I’m sick of listening to click click boom, next band
Day 2(July 4th): Its too frikin’ hot.
The Crowd (3/5) a little more lively than yesterday’s crowd but I attribute that to Sick Puppies amazing performance.
Adelitas Way: Survive, Dirty little thing. (3/5)
I nabbed their debut album when I saw them last year with Theory of A Dead man and while I had to hop out mid set to get Halestorm’s autographs, it was a nice listen. They’ve grown up a little and I very much look forward to new material. Hearing “Dirty Little Thing“ never gets old. On seeing them a second time they are really growing on me as an up and coming dirty little rock band. I’m keeping this review short as truthfully I only heard about two or three songs and one was a cover of “Survive.”
Sick Puppies: Wake Up The Festival (5/5)
If you pick up one new band this year, pick these guys up. I predict that they will explode in the next year or two. Wonderfully energetic and very talented this Australian born LA based band comes on with an intensity I’ve only really seen in a metal show. They got a hot, tired festival crowd to move, scream and head bang. Considering they weren’t the final act of the evening and that by a show of hands about half the crowd hadn’t seen them before that was a feat.
Front man Shimon Moore has an interesting range, which isn’t expressed as well on the album as it is live. He’s predominantly a tenor, but throws out some grunts and gravely low notes that smolder. He also has incredible energy and a great deal of drive. Not only was he constantly in motion but also, he was constantly encouraging the crowd, priming them and reacting to them. I find even energetic artist can often be flummoxed by an unanticipated crowd reaction, not Shim (as his fans and band mates call him), Shim rolled with even the unexpected reactions. I think that shim alone could have the energy to work an arena, though he sometimes isn’t spot on in choosing the songs to pump the crowd for. That will come with practice.
But, this isn’t the Shimon Moore show.
Bassist Emma Anzai, could also have brought down an arena all by her self. She is a slim little thing, and soft voiced who at first look doesn’t look as though she could carry, let alone play the bass she hammers.
Using both slap bass and plucking, Anzai is on fire on stage. She has a fierce presence not often seen or heard from the bass. She brings out an element you don’t see often in rock shows these days: mind blowing bass solos.
Sick Puppies are far from a one trick pony, in addition to their throttling, head banging rock; they also have songs that are poignant romances that speak to every man.
Halestorm(4/5): One Good Trick from a One Trick Pony
I love Halestorm, but seeing them as the last act didn’t hold up the way I thought it would. Lzzy hale is breathtaking, and has wonderful energy and a voice like none other, but it was very hard for them to follow sick puppies. Which was a little disappointing, considering how much I love theses people.
That being said, what I saw of their set was still as epic as ever. I think they need new material because all of their songs are breakup songs.
I still have faith in them. They are a truly amazing band. However, I think I’ll let my other reviews of their work speak for their talent.
June 7, 2010
Q101 Jamboree: Story of the Year, Janus, Coheed and cambria, Puddle of Mud, Papa Roach, Seether, Three Days Grace
Sorry for the delay folks, Blogger decided it didn't feel like posting for a bit.
Venue(the First Midwest Bank Amphitheater, Tinley Park, IL):(2.5/5) I personally am not a big fan of large amphitheaters, but they’re a necessary evil sometimes when you need to house 28,000 fans. They aren’t as obnoxious as arenas and centrally help facilitate outdoor events, but they tend to be lesser sound quality and overcrowded even for someone who has tolerated arenas.
The sound system was well balanced for a larger venue, but the microphone quality was simply put sub par. I’d expect this from an arena show, where the venue is not meant for music, but if you’re designed for music the vocals should be clear not distorted. It’s unprofessional.
The festival line up was wonderful but the festival itself was a little below average. There was nothing entertaining outside of the music and the random strippers, who weren’t doing much. For a radio-sponsored festival I expected more than ridiculously over priced food. Luckily, my reason for going was the music.
Audience (3/5): typical festival audience not really active until the headline act showed up. However, for Three Days Grace and Papa Roach, they were on fire.
Now on to the reason the rain, really expensive food, (seriously I’ve paid for 2 people on what it cost me for one) and shoddy mics: the show.
It started off with a bang, and kept going. At festivals there is a distinct difference in the treatment/ set length and often quality of the day acts versus the night acts. I was anticipating sitting through shitty music for a few hours.
What a pleasant surprise.
(Due to the shorter sets and a very long day some of these reviews are shorter and hazier than my usual work.)
Story of the Year-- (3/5)(alternative rock) I admit I was still settling in during this set, so my focus wasn’t perfect. I spent as much time listening to front man’s vocals and watching his own energetic dancing as watching the guitarist run full tilt around the drum set, through the back stage and back out front again. It was hilarious, and wonderful.
The music itself was decent, not quite buy the album worthy but good enough for a day act.
Janus-- (4/5)(alternative rock) Exceptionally unexpected amount of energy and outright force on stage. Curiously, unlike many other bands the energy wasn’t exclusively from front man, the entire band was positively electric. I was blown away to the point that I don’t actually remember the visual elements that well. I do remember my hair standing on end and the guitar work being articulate and impressive.
(Lunch break doing the majority of Saliva’s set)
Coheed and Cambria-- (4/5)(other--see below) As a friend put it front man, Claudio Sanchez, is a tiny robot built to rock. Their music is a combination of progressive rock, metal and alt rock. Sanchez’ vocals are, frankly, insane. Strangely intoned, both in pitch and tenure, his voice draws the listener in and made me stop and take a solid listen, a hard thing to master when I’m as tired as I was. The guitar work was wonderful as well. Sanchez also never held still, he was a ball of energy and preformed outstandingly.
Puddle of Mud --(3/5) Being only a casual listener I spent the bulk of their set thinking, “Oh, that’s them?” Puddle of Mud was decent live, very hard to see at that juncture so it’s hard to comment on the performance itself. From an auditory standpoint they were a solid, often nostalgia-inducing band. Lots of energy from these guys, the audience was finally starting to warm up and get into it. They also knew how to balance the set between the songs that every one knew and the lesser-known songs.
(Dinner break during Hollywood Undead, from what I overheard I didn’t miss much)
Papa Roach--(3/5) I admit I lapsed into a food coma and sleep deprivation induced nap during half of their set so no full review. However, I had very low expectations of them based on the few songs I knew. What an improvement! Still the same things for the most part (Teenage angst filled rap-rock), however, they had very good energy and the crowd was really into their set, especially when they played their old stuff. I’d forgotten how much I secretly liked “Last Resort.” They also played “Dead Cell”, which was a nice hat tip to the older fans.
Seether --(2/5) I have two of their albums (Karma and Effect and Disclaimer II) and they are solid, though they sound the same much of the time and I keep confusing them with Hinder (a better band with a very similar sound). I’ve also seen them live before and they weren’t half bad then.
This set however, was different. Somehow they managed to suck the majority of the energy out of the audience. Half the audience was sitting. After the kind of show Papa roach put on, there shouldn’t be people sitting. The front man also has apparently lost his sense of aesthetic entirely.
And did I mention he actually messed up some of the lyrics? Only slightly mind you, but I noticed. I even sat down and watched the screen. Front man, Shaun Morgan just seemed tired for most of the set and the only songs that had energy were covers (although, I do encourage checking out their rendition of “careless whisper” its a wonderful angry version)
And then the amphitheater exploded.
Three Days Grace --(5/5): Three Days Grace hales from Ontario, Canada, so they aren’t often in the US and I’ve wanted to see fro some time now so there was major anticipation. However, after Seether I wasn’t holding out for a high-energy performance.
Some of the Radio crew came out to talk at us while they adjusted the pyrotechnics due to the wind.
Then they hit the stage.
From opening siren to final note, Three Days Grace was a force on stage. With the often-depressive tone of their music I’d expected some lulls when the inevitable slow numbers came up. The energy never stopped. (At some point before they came out I’d managed to climb onto a seat so I could see all of the stage. Not a task for the faint of heart, or poorly balanced, my shins still haven’t forgiven me) Front man Adam Gointer also never stopped, weather singing or talking to the crowd, Gointer putt of a charisma and energy that you don’t see often. It wasn’t that he was an arrogant front man, or that the rest of the band was sub-par (on the contrary the guitar work was wonderful) far from it. It was that Gointer was a force all on his own. The way he worked the audience was amazing and his encouragement of the audience made for an unreal amount of participation (when the kids in the seats in the second tear are slam dancing, you know you have something powerful indeed) At one point about half way through the show Gointer actually made his way all the way back to the lawn to perform in the crowd. How he came back with his hat intact I’ll never know.
The music itself was a powerhouse of rock and occasional moments of very deliberate stillness timed perfectly with a brilliant light and pyrotechnic. Show that brought the house down.
For a festival show, that was unreal. Seriously, these guys are artists both in performance and in musical talent.
Venue(the First Midwest Bank Amphitheater, Tinley Park, IL):(2.5/5) I personally am not a big fan of large amphitheaters, but they’re a necessary evil sometimes when you need to house 28,000 fans. They aren’t as obnoxious as arenas and centrally help facilitate outdoor events, but they tend to be lesser sound quality and overcrowded even for someone who has tolerated arenas.
The sound system was well balanced for a larger venue, but the microphone quality was simply put sub par. I’d expect this from an arena show, where the venue is not meant for music, but if you’re designed for music the vocals should be clear not distorted. It’s unprofessional.
The festival line up was wonderful but the festival itself was a little below average. There was nothing entertaining outside of the music and the random strippers, who weren’t doing much. For a radio-sponsored festival I expected more than ridiculously over priced food. Luckily, my reason for going was the music.
Audience (3/5): typical festival audience not really active until the headline act showed up. However, for Three Days Grace and Papa Roach, they were on fire.
Now on to the reason the rain, really expensive food, (seriously I’ve paid for 2 people on what it cost me for one) and shoddy mics: the show.
It started off with a bang, and kept going. At festivals there is a distinct difference in the treatment/ set length and often quality of the day acts versus the night acts. I was anticipating sitting through shitty music for a few hours.
What a pleasant surprise.
(Due to the shorter sets and a very long day some of these reviews are shorter and hazier than my usual work.)
Story of the Year-- (3/5)(alternative rock) I admit I was still settling in during this set, so my focus wasn’t perfect. I spent as much time listening to front man’s vocals and watching his own energetic dancing as watching the guitarist run full tilt around the drum set, through the back stage and back out front again. It was hilarious, and wonderful.
The music itself was decent, not quite buy the album worthy but good enough for a day act.
Janus-- (4/5)(alternative rock) Exceptionally unexpected amount of energy and outright force on stage. Curiously, unlike many other bands the energy wasn’t exclusively from front man, the entire band was positively electric. I was blown away to the point that I don’t actually remember the visual elements that well. I do remember my hair standing on end and the guitar work being articulate and impressive.
(Lunch break doing the majority of Saliva’s set)
Coheed and Cambria-- (4/5)(other--see below) As a friend put it front man, Claudio Sanchez, is a tiny robot built to rock. Their music is a combination of progressive rock, metal and alt rock. Sanchez’ vocals are, frankly, insane. Strangely intoned, both in pitch and tenure, his voice draws the listener in and made me stop and take a solid listen, a hard thing to master when I’m as tired as I was. The guitar work was wonderful as well. Sanchez also never held still, he was a ball of energy and preformed outstandingly.
Puddle of Mud --(3/5) Being only a casual listener I spent the bulk of their set thinking, “Oh, that’s them?” Puddle of Mud was decent live, very hard to see at that juncture so it’s hard to comment on the performance itself. From an auditory standpoint they were a solid, often nostalgia-inducing band. Lots of energy from these guys, the audience was finally starting to warm up and get into it. They also knew how to balance the set between the songs that every one knew and the lesser-known songs.
(Dinner break during Hollywood Undead, from what I overheard I didn’t miss much)
Papa Roach--(3/5) I admit I lapsed into a food coma and sleep deprivation induced nap during half of their set so no full review. However, I had very low expectations of them based on the few songs I knew. What an improvement! Still the same things for the most part (Teenage angst filled rap-rock), however, they had very good energy and the crowd was really into their set, especially when they played their old stuff. I’d forgotten how much I secretly liked “Last Resort.” They also played “Dead Cell”, which was a nice hat tip to the older fans.
Seether --(2/5) I have two of their albums (Karma and Effect and Disclaimer II) and they are solid, though they sound the same much of the time and I keep confusing them with Hinder (a better band with a very similar sound). I’ve also seen them live before and they weren’t half bad then.
This set however, was different. Somehow they managed to suck the majority of the energy out of the audience. Half the audience was sitting. After the kind of show Papa roach put on, there shouldn’t be people sitting. The front man also has apparently lost his sense of aesthetic entirely.
And did I mention he actually messed up some of the lyrics? Only slightly mind you, but I noticed. I even sat down and watched the screen. Front man, Shaun Morgan just seemed tired for most of the set and the only songs that had energy were covers (although, I do encourage checking out their rendition of “careless whisper” its a wonderful angry version)
And then the amphitheater exploded.
Three Days Grace --(5/5): Three Days Grace hales from Ontario, Canada, so they aren’t often in the US and I’ve wanted to see fro some time now so there was major anticipation. However, after Seether I wasn’t holding out for a high-energy performance.
Some of the Radio crew came out to talk at us while they adjusted the pyrotechnics due to the wind.
Then they hit the stage.
From opening siren to final note, Three Days Grace was a force on stage. With the often-depressive tone of their music I’d expected some lulls when the inevitable slow numbers came up. The energy never stopped. (At some point before they came out I’d managed to climb onto a seat so I could see all of the stage. Not a task for the faint of heart, or poorly balanced, my shins still haven’t forgiven me) Front man Adam Gointer also never stopped, weather singing or talking to the crowd, Gointer putt of a charisma and energy that you don’t see often. It wasn’t that he was an arrogant front man, or that the rest of the band was sub-par (on the contrary the guitar work was wonderful) far from it. It was that Gointer was a force all on his own. The way he worked the audience was amazing and his encouragement of the audience made for an unreal amount of participation (when the kids in the seats in the second tear are slam dancing, you know you have something powerful indeed) At one point about half way through the show Gointer actually made his way all the way back to the lawn to perform in the crowd. How he came back with his hat intact I’ll never know.
The music itself was a powerhouse of rock and occasional moments of very deliberate stillness timed perfectly with a brilliant light and pyrotechnic. Show that brought the house down.
For a festival show, that was unreal. Seriously, these guys are artists both in performance and in musical talent.
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