Album Review: Blood Red Boots (self-titled EP)

Haling from Chicago, Blood Red Boots have a playful cocky tone, bringing out some notes of the 80s glam rock, pop-rock and the occasional country flair. Vocalist Keith Patrick in particular has a smile in his voice that is contagious.

Keyboardist Eric Hays shone through particularly strongly as did bassist Cyrus Johnson. William Heschl’s guitar work, however, needs some improvement, particularly in its coordination with the rest of the band and it’s precision.

Blood Red Boots have a lot of potential, but still need to hone their sound. While they are consistent, I’m not really sure they know what they are going for yet. They need to unify their sound and sharpen their personal sound.

Patrick experiments with a wide range of tones and pitches, some of which really worked (especially in “California”). However, there are places the vocals just go flat. I would encourage him to really focus on training his voice.

They strike me as fun live band–their love for what they do is audible in every track. It is clear they are enjoying what they do. These guys are at a very malleable stage of their development; I look forward to seeing what they shape themselves into.

Good luck, guys. 

Kill Hannah's New Heart for Xmas 9 "I've Waited My Whole Life"

If you’re from Chicago and haven’t been living under a rock, I don’t need to tell you that New Heart for Xmas is the little three day long party that Kill Hannah throws every year for their fans. I attended all three days on the Ultimate Fan Package.

Day 1: JBTV Studio Kill Hannah Practice and Q&A

Venue:

JBTV Studio

I’ve talked about  the JBTV Studio before. It’s an amazing little studio.

The Set and Q&A(5/6):

Whenever, I hear  the members of  Kill Hannah speak, I feel like I've just received a pep talk from Winston Churchill. In particular, Mat Devine has a knack for striking very honest, yet surprisingly universal notes when he speaks, weather it be answering fan questions or talking about his band and their experiences. Being the lead, Mat is the one who gets the most press, so it was nice to hear the rest of the band share their perspective. They are equally candid and insightful. The wonderful report  had  both with the fans and with each other was a joy to experience.

The set itself was lovely, as usual. It was also a lot of fun to see how they work and communicate with the people managing on the technical aspects of the show.

Day 2: Acoustic Set at the Crimson Lounge.

Venue:

The Crimson Lounge (5/6):

 The Crimson Lounge is simultaneously roomy and cozy. I am actually surprised I’ve not been there before. It’s beautiful, classy, and warm. The stage is actually fairly large for the size of the lounge and the system is actually quite good (especially for a bar). The posh atmosphere could be off-putting for some, but I found it welcoming.

The Set (4/6):

As a small person, I tend to hover toward the middle or back of a crowd to keep a better vantage point. For this set it was intimate enough  and not frantic, so I managed to be right up front and slightly off to one side. What an experience! It was a marvel just to watch a talented set of artists work. I could see  exactly how much skill Dan Wiesse and Greg Corner had just by watching their fingers.

The rapport  the band had with each other and the fans really shown through, the playful antics combined with moments of complete and deadly seriousness were a delight to witness. Devine's  constant efforts to make sure the fans all had a good view were simultaneously hilarious and incredibly endearing. He actually stood on his chair for about half the set and when the photographers were finished he invited the fans that were standing to one side of the stage area to come sit right in front of the stage.

I have gone on and on about how vulnerable divine is on stage, this  show was even more intimate. It was very much a show for his fans, for the KHK who's worked so hard to support them. This was ours as much as it was Kill Hannah's. 

Day Three: The Big Show 

Venue:

 House of Blues (previously reviewed)

Openers:

(Regrettably I missed the first opener, Blood Red Boots, and equally regrettably I caught the second opener, Action Blast. I will be reviewing Blood Red Boot's album in an upcoming blog entry)

Action Blast (2/6)

The two  points both go to the drummer who wasn’t half bad. The guitar work was passible.

I can forgive a band  for being young and untrained, or even just not talented, but there’s a certain attitude that happens, usually in mediocre bands,  that are low talent and high ego that I just cannot stomach. If you’re a nearly unknown band and you come in talking like you’re the biggest badest thing on the planate you make me scoff right out the gate. As a good critic, I  kept watching despite this and at least tried to pay attention until  their front man (in a misdirected attempt to get the crowd moving) declared "Silence is gay." 

I took out my crocheting at that point and wandered back to the bathroom where I ran into two more fellow KH fans that were quite literally hiding in the bathroom to escape the terrible music.

Dot Dot Dot (4/6): These guys were the  first surprise of the night. Their name has cropped up on my radar several times, but  I hadn’t had the chance to sit down and listen to any of their stuff until last night. I'd always heard that they weren't that good. I'm declaring whoever said that tone deaf. 

Lead man Adam Blair is  as flirty as he is confidant and  has an unquestionable charm. From  the  playful smile to the energetic guitar work and animated singing, Blair is quite the performer. His voice was what really caught my attention first. He has remarkable vocal control and a surprising range that you don’t hear on  his recorded work.

The biggest issue with the band was the huge talent gap between Blair and his band. Guitarist Rose Ana Laguana  was solid but  her counterparts were  just fair not good

Kill Hannah(5/6)

This is the show the entire Kill Hannah fan base waits for all year. It is always quite a party with theatrics and snow machines. 

I've griped before about how passive the Kill Hannah crowds are. They are normally a quite bunch, matching divine in his introverted manner.

I retract every gripe.

Never in my five years as a Kill Hannah fan have I seen the fans like this. It was not insane, nor has the band itself had so much force. It was unreal. From the first note of believer to the last line of Welcome to Chicago, Kill Hannah brought  a fire that blew all of this previous shows out of the water. 

First off, when Jonny Ratkey got back on stage with Kill Hannah, the crowd just about lost their minds. Johnny hasn't been an official part of Kill Hannah since 2008, but the fans love him. His appearance at New Heart For Xmas is always a sincere pleasure. 

If this show demonstrated anything is was that this band and the Kill Hannah Kolective are family. Between the showers of affection on stage and the gracious words the band spoke, it was clear  that, to borrow from something Adam Blair  said, this was a family reunion. 

But the music itself, was truly phenomenal. Kill Hanna was on the absolute top of their game, weather it was Dan Wiese and Johnny Radtke tearing it up on the guitar or Elias Mallin on the drums, the music was just flawless.

I'm missing someone.

Mat Divine.

I cannot say enough about how talented, vulnerable and all around amazing this man is. His voice was spot on last night. His energy  was explosive,  and that energy charged the fans, which in turn charged the band, creating an explosive, intense energy loop. 

I’ve also never seen them  attract such a huge crowd. I’m used to them selling out the metro (a venue half the size of The House of Blues, at most), but I’ve never seen so many Kill Hannah fans in one place before. I am proud.

It was one hell of a weekend.